Senin, 26 Desember 2011

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Tales of the Peculiar, by Ransom Riggs

A companion to the New York Times bestselling Miss Peregrine’s Home for Peculiar Children, now a major motion picture directed by Tim Burton.


Before Miss Peregrine gave them a home, the story of peculiars was written in the Tales.
 
Wealthy cannibals who dine on the discarded limbs of peculiars. A fork-tongued princess. These are but a few of the truly brilliant stories in Tales of the Peculiar—the collection of fairy tales known to hide information about the peculiar world, including clues to the locations of time loops—first introduced by Ransom Riggs in his #1 bestselling Miss Peregrine’s Peculiar Children series.
 
Riggs now invites you to share his secrets of peculiar history, with a collection of original stories in this deluxe volume of Tales of the Peculiar, as collected and annotated by Millard Nullings, ward of Miss Peregrine and scholar of all things peculiar. Featuring stunning illustrations from world-renowned woodcut artist Andrew Davidson this compelling and truly peculiar anthology is the perfect gift for not only fans, but for all booklovers.

A perfect gift, reminiscent of classic bookmaking, this beautifully packaged volume features full-page woodcut illustrations, gold foil stamping, a ribbon, and removable back sticker. 
 
“[These tales] embody gentle, empowering messages: accept yourself and others; celebrate difference and oddity; never lose your sense of wonder.” —Financial Times
 
“With a Victorian style for writing and a capacity for subtle humor, the tales read as cautionary fables, rich with peril and phantasy, and will be enjoyed by teens and adults alike.” —GeekDad.com

  • Sales Rank: #857 in Books
  • Published on: 2016-09-03
  • Released on: 2016-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .83" w x 6.25" l, .0 pounds
  • Binding: Hardcover
  • 192 pages

From School Library Journal
Gr 6 Up—Riggs gives fans of his "Miss Peregrine" trilogy a history lesson of sorts in 10 short stories that provide a glimpse into the fascinating past of peculiars and Peculiardom. These fables seem familiar yet completely new, touching on themes and subjects that populate classic myths and legends. For example, the famous phrase no man is an island, entire of itself takes on a completely different meaning for one peculiar. The tales are presented as written records of known stories passed down from generation to generation, collected and presented by Millard Nullings, Esq., EdD, MBCh (one of Miss Peregrine's children from the original books), with footnotes that fill in historical details. The pieces predate the use of photography, so instead of employing the intriguing and mysterious found photographs featured in past works, Riggs relies on beautifully detailed illustrations that capture another time and place. The stories center on characters who are different, who don't fit in, who aren't accepted by those around them, and who overcome these challenges and come to embrace who they truly are. VERDICT For fans of the past books, this volume will provide new insight into many of the events in Peculiar history. It is also a perfect gateway for new readers to enter the world Riggs has created. Recommended for all libraries.—Billy Parrott, New York Public Library

Review
“[These tales] embody gentle, empowering messages: accept yourself and others; celebrate difference and oddity; never lose your sense of wonder.” —Financial Times
 
“With a Victorian style for writing and a capacity for subtle humor, the tales read as cautionary fables, rich with peril and phantasy, and will be enjoyed by teens and adults alike.” —GeekDad.com


Praise for the bestselling Miss Peregrine's series: 

"A tense, moving, and wondrously strange first novel. The photographs and text work together brilliantly to create an unforgettable story." —John Green, #1 New York Times bestselling author of The Fault in Our Stars and Looking for Alaska

"Readers searching for the next Harry Potter may want to visit Miss Peregrine's Home for Peculiar Children." —CNN

"With its X-Men: First Class-meets-time-travel story line, David Lynchian imagery, and rich, eerie detail, it's no wonder Miss Peregrine's Home for Peculiar Children has been snapped up by Twentieth Century Fox. B+" —Entertainment Weekly

"'Peculiar' doesn't even begin to cover it. Riggs' chilling, wondrous novel is already headed to the movies."—People

"[A] thrilling, Tim Burton-esque tale with haunting photographs."—USA Today Pop Candy

About the Author
Ransom Riggs grew up in Florida but now makes his home in the land of peculiar children—Los Angeles. He was raised on a steady diet of ghost stories and British comedy, which probably explains the novels he writes. There's a nonzero chance he's in your house right now, watching you from underneath the bed. (Go ahead and check. We'll wait.) If not, you can find him on Twitter @ransomriggs.

Andrew Davidson graduated from the Royal College of Art with a Masters in Graphic Design. Davidson has worked as an illustrator in a number of different disciplines, but craft and design have always been the cornerstones of his work. His varied career has included wood engravings for The Iron Man byTed Hughes, more than twelve sets of stamps for The Royal Mail, and the glass etched doors for the Centre Court at Wimbledon. He is married to his wife Julia, and has two sons, Lewis and Hugh.

Most helpful customer reviews

13 of 14 people found the following review helpful.
Another Classic from Ransom Riggs ...
By delicateflower152
Once again, Ransom Riggs gives readers a unique, beautifully written book that is sure to become a modern classic. "Authored" by Millard Nullings, a former resident of “Miss Peregrine’s Home for Peculiar Children”, ten fable-like tales comprise his “Tales of the Peculiar”. Each one highlights a lesson of moral or ethical nature; each one features a “Peculiar”.

“The Splendid Cannibals” cautions against envy and greed; it may be the most violent of the tales. “The Fork-Tongued Princess” tells of the danger in valuing physical beauty above all else and of the freedom that forgiveness affords. “The First Ymbryne” is the story of how Ymbrynes came to be; it should have been the first entry in “Tales of the Peculiar”. “The Woman Who Befriended Ghosts” is a story of seeking friendship and kindred spirits. “Colobolo” reminds readers to accept their innate nature rather than attempting to alter it to conform to society. “The Pigeons of Saint Paul’s” is a story showing that having a stake in something makes a difference to the affected individuals. “The Girl Who Could Tame Nightmares” tells of good intentions producing disastrous results and of using that lesson to benefit others. “The Locust” points out how vital a parent’s unconditional love is in the life of their child. In “The Boy Who Could Hold Back the Sea”, a boy who was tricked into using his “Peculiar” powers for unlawful, nefarious purposes begins to understand that his well-intentioned attempt to help may also have harmful results. “The Tale of Cuthbert” is a story of life-long friendship and loyalty.

Characters are relatable and very "human". Their hopes, fears, and dreams are those we all hold. Their situations and personalities draw the reader into the story and create, in the reader, a feeling of empathy.

Andrew Davidson’s illustrations resemble woodcut engravings like those of Albrecht Durer. Each story is introduced by one full-page drawing; there are no illustrations within a story. The illustrations enhance the reader’s impression that “Tales of the Peculiar” is a book of vintage fables.

The construction of “Tales of the Peculiar” is an important factor influencing the reader’s perception of the book. The gold-and-white design of the end papers, the ribbon marker, and the wheat-colored page numbers and footnotes strengthen the vintage feel. Two factors detracted from the physical presentation of “Tales of the Peculiar”. Instead of a dust jacket, a slick white paper containing information usually included in a dust jacket was glued to the back cover. Further, the wheat-colored ink used for the footnotes made them difficult to read.

Ransom Riggs is one of my favorite authors; his writing is interesting, unusual, and very literate; the "Peculiars" are unique and quirky. “Tales of the Peculiar” was a joy to read. It will take its place in my library beside the “Peculiar Children” volumes.

12 of 13 people found the following review helpful.
the fonts used- I loved everything! The attached ribbon bookmark was also a ...
By E.Robyn
First of all, this book is absolutely stunning- the cover, the spine, the endpapers, the full page illustrations as well as the smaller ones, the fonts used- I loved everything! The attached ribbon bookmark was also a lovely touch.

Second, this collection was absolutely everything I was hoping for. It was like an Aesop's Fairy Tales collection for Peculiars. I loved every single one of the stories! I wish there were more!!

Third, I loved the illustrations from Andrew Davidson. Each one was wonderfully done and very fitting for the story they preceded.

Fourth, just the detail that was put into this book was perfect. I loved that it was "put together" and annotated by Millard Nullings. I thought that his forward was very Lemony Snicket-esque (which I loved). And I really enjoyed the first edition notice!

I would highly recommend this book for any Miss Peregrine fan.

25 of 25 people found the following review helpful.
It's most peculiar
By EA Solinas
One way you can tell that you're reading a good fantasy series is that there's a whole world of other stories outside the main one.

Such is the case of "Tales of the Peculiar," which expands the world of "peculiar people" featured in the Miss Peregrine's Children series. Rather than a true sequel or prequel, Ransom Riggs spins up long-ago-and-far-away tales of peculiars throughout history, which feel a bit like lost fables or fairy tales. Except way, way, way more twisted, amusing and sometimes gruesome.

Among the peculiars examined in the book are:
*A village of peculiars with a very specific ability, who are visited by a wealthy band of law-abiding cannibals, who have a very odd proposition for them.
*A princess who finds that her serpentine peculiarity makes it hard for her to get a husband. Will her father's cruelty and a lack of a prince ruin her life, or will she be able to forge a new one on her own terms?
*The tale of the first ymbryne, a young goshawk with the odd tendency to turn into a human. As she tries to find a place in the human world, she discovers the peculiars -- and the powers she can use to protect them.
*A girl who pulls threadlike nightmares out of people's ears, only to discover that nightmares never actually go away.... and they can get mean.
*Zheng tries to distance himself from the legacy of his sea-mad father, until suddenly grass grows on his feet, seaweed from his armpits, and he starts sweating sand. And what he learns of his father's fate is stranger than he could imagine.
*And stories of birds in a cathedral, a woman who speaks to ghosts, a young boy with a heart too large for his body, a young man who can control the currents of the sea, and a fairy tale of "once upon a peculiar time" where a giant is cursed by a witch.

"Tales of the Peculiar" is the kind of book that one can imagine Miss Peregrine having on her bookshelf. It's mostly stories of a fairy-tale-ish nature where a peculiar runs across some kind of disastrous scenario -- sometimes it's intolerant normal humans, or other peculiars, or just their own nature -- and eventually discovers their own special place in the world.

And with that style of storytelling, Riggs also writes the various short stories in a different style as well. Most of the stories are introduced with some variant of "Once..." or "There was...", and presented in a more distant way, especially since the tales are occasionally interrupted by an editor's note. But he includes plenty of striking emotional scenes and dialogue ("she was gripped by a sudden wild happiness").

The peculiarities are so varied and sometimes bizarre, ranging from X-Man-esque superpowers to involuntary cannibalism to changing into inhuman forms, that the story possibilities are almost limitless. And in the long-ago-and-far-away settings (medieval kingdoms, Irish villages, enchanted forests, imperial China, the American frontier), Riggs also incorporates an unapologetically macabre aesthetic. I mean, the first story in the collection involves wealthy cannibals, and other stories include amputation, nightmare-monsters, venom-spitting and a guy turning into a giant weeping slug.

"Tales of the Peculiar" is a pleasant accompaniment to the Miss Peregrine series -- and though rather different in style, the imaginative stories of peculiar people are pretty entertaining.

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Sabtu, 17 Desember 2011

[S791.Ebook] Download The Man in the Gray Flannel Suit, by Sloan Wilson

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The Man in the Gray Flannel Suit, by Sloan Wilson

Universally acclaimed when first published in 1955, The Man in the Gray Flannel Suit captured the mood of a generation. Its title — like Catch-22 and Fahrenheit 451 — has become a part of America's cultural vocabulary. Tom Rath doesn't want anything extraordinary out of life: just a decent home, enough money to support his family, and a career that won't crush his spirit. After returning from World War II, he takes a PR job at a television network. It is inane, dehumanizing work. But when a series of personal crises force him to reexamine his priorities — and take responsibility for his past — he is finally moved to carve out an identity for himself. This is Sloan Wilson's searing indictment of a society that had just begun to lose touch with its citizens. The Man in the Gray Flannel Suit is a classic of American literature and the basis of the award-winning film starring Gregory Peck. "A consequential novel." — Saturday Review

  • Sales Rank: #78365 in Books
  • Brand: Brand: Da Capo Press
  • Published on: 2002-10-23
  • Released on: 2002-10-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .65" w x 5.50" l, .66 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Great product!

From Publishers Weekly
Though it's cited in nearly every book and article about the culture of the 1950s, few readers under 65 know Sloan Wilson's The Man in the Gray Flannel Suit firsthand. The 1955 bestseller is being reissued with a new introduction by Jonathan Franzen-and, indeed, the story of disappointed Westport, Conn., strivers Tom and Betsy Rath anticipates the novels of suburban anomie by Franzen and his contemporaries. Dreaming of a bigger house for his wife and three kids, WWII veteran Tom leaves his job with an arts foundation to be a well-paid public relations executive at the United Broadcasting Corporation. But corporate ladder climbing and consumer rewards leave him miserable. Though his sentimental conclusion now seems dated, Wilson's portrait of the martini-soaked malcontents is sharp, memorable and still resonant today.
Copyright 2002 Reed Business Information, Inc.

Review
"The writing is vigorous, unvarnished, tartly observant; its overhanging disquietude isn't dated - if anything, it's deepened." - Los Angeles Times Book Review

From the Inside Flap
"One of the most influential American novels of the 1950s." --David Halberstam

"A consequential novel . . . by a mature writer who knows unwaveringly what he is about." --Saturday Review

"A thoughtful, searching novel." --New York Herald Tribune

"Masterful." --Detroit News

"Excellent . . . sure, bright, and alive." --Chicago Tribune

"Delightful . . . beautifully plotted." --Boston Herald

"[An] excellent novel." --Kansas City Star

"Exact in its account of the pressures, problems and tribal customs of the men in gray flannel suits. . . . Wilson is an observer, a sympathetic one. . . . He has written an entertaining social comedy." --New York Times

"Wilson has something to say." --Time

"Interesting and enjoyable . . . [Wilson] has important things to say about security, expediency, responsibility, and integrity." --Pittsburgh Press

"Memorable . . . Wilson shows a rare insight into human nature." --Charlotte Observer

"Wilson is an expert. . . . His dialogue could have been piped from any of thousands of offices or living rooms. . . . He has done more than take a trip to Brooks Brothers to find out what makes a gray flannel suit. He knows much of what makes the men who wear them." --Christian Science Monitor

"In his calm way, Wilson brings to the mind’s eye a man we all know, and most of us rather like." --San Francisco Chronicle

"A perceptive story of . . . the generation who came of age in World War II." --Miami Herald

"Brilliant . . . Wilson has captured the feeling of outright war and the ensuing 'peace' with admirable perception and veracity." --Vancouver Sun

Most helpful customer reviews

2 of 2 people found the following review helpful.
An excellent read...
By John Paul Sassone
Published in 1955 The Man in the Grey Flannel Suit is an interesting look back at the 1950s and the way consumerism, work, the striving for always more and always better, took over the mindset of Americans after WWII. Tom Rath is the typical returned vet, a wife, three kids, a house in the suberbs and a job he tolerates because of the paycheck. When he has a chance to move to a different company for him the move just means more money, not really any type of fulfillment. Tom and his wife want a better house, a new car, better schools for the kids, all the things you're supposed to want. For tom to get them he has to sell his soul to his new employer, a workaholic who doesn't know his family and has no ties to anyone but his secretary and his two right hand men. Tom does his job, not knowing what it really is but hoping to keep his head above water at work in order to keep his paycheck coming in. As the 50s turn into the 60s the tone of the book changes. Money and possessions are no longer the most important thing and Tom begins to realize and finally accepts the idea quality of life is more important that the quantity of things toy can buy. This book, along with Peyton Place, provide great insights to the mindset of American culture in the 1950s.

1 of 1 people found the following review helpful.
A Good Story!
By Jody G.
This was a surprisingly good story! It really gave a sense of how men felt after World War II returning to regular home life and the women that married them.

The main character has an interesting division of his personality. On the one hand he wants to earn more money to enjoy his life, wife and children and focus on the the pleasure he feels with them. However, he also experiences the daily pressure of business encouraging him to give up any outside life and dedicate all his energies to work so he can succeed.

2 of 2 people found the following review helpful.
Good Entertainment, It focuses on success in life, in contrast to success as an end unto itself.
By The Old Pirate
Although "The Man in the Gray Flannel Suit" is definitely reflective of the 1950's and the advertising/public relations business throughout much of the 1960's, its theme of the conflict between choosing to balance one's work with family obligations and demands against a total immersion in one's career, transcends the period in which it is set. It also contains the situation many individuals face in returning from war of trying to intergrate themselves back into a society, which does not comprehend the life and death experiences they survived. Finally, it emphasizes honestly and intregrity as opposed to blindly becoming a "Yes Man," even though this may be promoted as the path to advancement. It is a good story and those who have seen the movie version with Gregory Peck will observe that it does not stray too far from this book.

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  • Published on: 1700
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Wolverine: Old Man Logan, by Mark Millar

MARK MILLAR and STEVE MCNIVEN--who last teamed for the monumental CIVIL WAR--bring us the most important WOLVERINE story of the 21st century. Nobody knows what happened on the night the heroes fell. All we know is that they disappeared and evil triumphed and the bad guys have been calling the shots ever since. What happened to Wolverine is the biggest mystery of all. For 50 years, no one has heard hide nor hair from him...and in his place stands an old man called Logan. A man concerned only about his family. A man pushed to the brink by the HULK GANG. A man forced to help an old friend--the blind archer, HAWKEYE--drive three thousand miles to secure his family's safety. Get ready for the ride of your life, Logan.

COLLECTING:
Wolverine #66-72, Wolverine Giant-Size Old Man Logan

  • Sales Rank: #17582 in Books
  • Brand: Marvel Kids
  • Model: FBA-|283148
  • Published on: 2010-09-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x .50" w x 6.75" l, .88 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Mark Millar is a Scottish comic book writer. His first job as a comic book writer came when he was still in high school

Most helpful customer reviews

97 of 101 people found the following review helpful.
rusty snikt
By H. Bala
Much to like - but also a few things to make you go "Wait... what?" - in the eight-issue arc WOLVERINE: OLD MAN LOGAN. There's no doubt at all that Wolverine is one of the most overexposed characters out there, having been affiliated with a boatload of teams (Weapon X, Alpha Flight, Dept. H., the X-Men, X-Force, S.H.I.E.L.D., the Avengers, and soon probably the New Brighton Archeological Society, the Yancy Street Gang and the PTA). But, admittedly, there's something so very cool about the guy and that vicious thing that he's the best at doing. I don't know that OLD MAN LOGAN is the best Wolverine story ever told. I certainly don't believe that it's the most relevant. But it's certainly one of the most fun and wild and memorable.

Set roughly fifty years in the future, and to spoiler readers of Marvel comic books, the bad guys finally win the whole shebang. The story begins with "Nobody knows what happened on the night the heroes fell." and one of the things which bug me about this arc is that writer Mark Millar never does give us the score on just what went down with the cataclysmic fighty fight between the Marvel heroes and villains. We don't get the juicy details, even though we learn that, finally, finally, the bad guys got wise and realized that, together, they outnumber the good guys by a ratio of huge. Some of the most brilliant villain heavy hitters got together and coordinated simultaneous strikes on the Marvel heroes and pretty much eradicated them from the face of the planet. Fifty years ago.

Something truly horrific happened to Wolverine, and it scarred him so badly that he turned pacifist. Decades later, grizzled and white-haired, he's a struggling farmer trying to support his family, and nowadays he prefers to be called Logan. He's still tormented and so committed is he to not popping his claws that, when he can't make rent, he voluntarily takes a vicious beating from his landlords, who happen to be the rat-crazy, deformed grandchildren of Bruce Banner. Yeah, Logan's dirt poor farm lies in Hulkland (what used to be California). If you thought Mr. Furley was a horrible landlord...

Desperate for rent money, Logan reluctantly leaves his family and signs on for a sprawling cross-country trek with his old and now blind friend Hawkeye on a mysterious courier mission. So what we get for most of these issues is this hybrid of gritty buddy adventure and dystopian travelogue. Issue #66 presents us with a map of America as currently carved up among the supervillains. We note that the most significant demesnes fall to Hulkland, the Kingdom of The Kingpin, Doom's Lair, and The President's Quarter - and, right away, I started wondering who is this President. It turns out, whoever he is, he was the one who masterminded the heroes' downfall fifty years ago. It's also interesting that the villains only cared about ruling the good ol' U.S.A. and didn't give an eff about taking over the rest of the world.

WOLVERINE: OLD MAN LOGAN collects issues #66-72 of the ongoing WOLVERINE comic book, as well as the one-shot WOLVERINE: OLD MAN LOGAN GIANT-SIZE (but not really "giant-size" in terms of length of story). Mark Millar's post-apocalyptic vision is fueled by his usual outrageous, over-the-top brand of storytelling. But there's also this palpable sense of desolation, an elegiac tone, that surfaces as Logan and Hawkeye travel from wasteland to wasteland and witness the devastating fallout to what happened five decades ago. Decayed structures and bones of the fallen dot the landscape. Superheroes are become extinct. Even Spider-Man's granddaughter is wicked.

It's weird but this story arc is both a rapid read... and a slow read. It reads quick because Millar holds back on the dialogue and allows artist Steve McNiven to take over the narrative, and McNiven's art is really exceptional here, maybe the best I've seen of his stuff. It's cinematic and there are many, many iconic images of our growly Canuck. I'm guessing that his art is the reason for the horrendous scheduling delays, but after marveling at the finished product I tend to want to give him a pass. But, like with LEGION OF THREE WORLDS, OLD MAN LOGAN reads better as a collected trade. There's also the pace of the story, which at times is leisurely. Logan and Hawkeye end up meeting all sorts of baddies, but Logan is stubborn in his vow to stay non-violent, so the action initially isn't what we'd call blistering.

We don't expect Logan to stay a peace-loving gent, and so the anticipation builds to that inevitable time when he unleashes his inner snikt. Which he does in the last few issues - and when Wolverine loses it, he really, really loses it. Millar's slow burn approach then switches up to visceral scenes of slaughter, and oh that poor eviscerated cow. Lots of gratuitous and brutal maiming and blood-letting, but so much fun and, frankly, it's what we expect from a Wolverine story.

Two more things which bothered me. First, I wasn't too impressed when I learned the identity of the mysterious President, this guy not having much of a history with Wolverine and, so, ergo, not so much with the resonance. A more telling thing for me is that I can't quite buy into the big reveal of what happened to Wolverine 50 years ago, that tragic event which made him turn away from violence. Wolvie is the best at what he does, but I don't think even he's that good.

Despite all that, I think that OLD MAN LOGAN is slated for classic status, maybe right up there with Millar's "Enemy of the State" and Barry Windsor-Smith's "Weapon X" storylines. I'm reminded of the "Days of Future Past" X-Men story, not because OLD MAN LOGAN is as classic but because this is yet another possible future arc towards which the 616 Universe can veer. As of right now, OLD MAN LOGAN's is considered an alternate timeline. Still, if you're hankering for a peek at what becomes of this Logan, you should check out Millar's recent run on FANTASTIC FOUR, paying particular attention to the Nu-Earth/New Defenders/Death of the Invisible Woman arc (Fantastic Four: World's Greatest, Vol. 1), and also the Fantastic Force TPB (Fantastic Four) mini-series. Irregardless, I'm betting we haven't seen the last of OLD MAN LOGAN's world. And that's a good thing.

47 of 52 people found the following review helpful.
Unforgiven Meets Wanted
By Heretic316
Mark Millar is a writer I very much enjoy, but he often seems to have trouble sticking endings. That has changed in this story as, from start to stop, it's massively well paced, enormously twisting, and ultimately satisfying. Bringing the sensibility of Clint Eastwood's magnum opus Unforgiven to the plot of the comic Wanted (which Millar also wrote), Wolverine treks across a land where almost every superhero has been killed and America divided amongst the remaining villains. Steve McNiven, teaming up with Millar again after Civil War, brings his A-game in every single panel, be it the ultra-violent battles or the gut-wrenching emotional moments, the Marvel universe has rarely looked so well drawn. I found myself reading it again the moment I finished it and catching all sorts of background references and hints, so it reads well the second, and I'm sure third, time. Absolute highest recommendation.

18 of 18 people found the following review helpful.
most interesting Wolverine Story in the last decade.
By Hank Wordsmith
I'm going to admit I'm biased- I haven't liked the Wolverine books for a long time. All the writers clamoring to write his comic are so concerned with what new and different thing they're going to do with Wolverine or what soon to be retconned mysterious thing from his past they're going to introduce, that they wind up completely messing up the character and the story line. (I'm talking to you, Way.)

Mark Millar actually does these things but he does them well and without messing up the character. Millar is an old school story teller, he knows that good storytelling is character driven- meaning that a good story establishes a character's values and then challenges them to reveal something about that character. By increasing Wolverine's characteristic, latent guilt (which was a crucial aspect of what originally made him an interesting character) to a level which he psychologically neuters himself, we learn more about Wolverine through his nonviolence, rage, and indignation that we ever could about him by an absolute clarification of his past (once again, I'm talking to you Daniel Way.)

Also, there's lot's of gore. That's a plus too. ;)

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Aunque el concepto de AplicaciĂ³n como se conoce en la actualidad apareciĂ³ hace algunos años en las primeras generaciones de telĂ©fonos inteligentes, su popularidad, aplicabilidad y uso se ha extendido a diversos tipos de dispositivos (tabletas, PCs convencionales), y hasta a las versiones mĂ¡s modernas de programas y plataformas ampliamente extendidas como Windows 8 y Windows Server 2012. Por otro lado, Microsoft ha decidido llevar este modelo de Aplicaciones a dos de sus productos mĂ¡s exitosos y de mayor implantaciĂ³n y uso: Office y SharePoint. Las Aplicaciones para Office y SharePoint representan la nueva forma que Microsoft ha adoptado para crear, distribuir e instalar software con nueva funcionalidad o personalizaciones para ambos productos. Las Aplicaciones tanto para Office como para SharePoint residen en un AlmacĂ©n, un punto centralizado de distribuciĂ³n de software, quĂ© puede ser pĂºblico (gestionado y administrado por Microsoft) y/o privado (gestionado/administrado internamente por una organizaciĂ³n). Los desarrolladores, las empresas y los usuarios particulares se pueden suscribir a la Tienda de Aplicaciones de Microsoft tanto para publicar nuevas Aplicaciones desarrolladas con los APIs y herramientas disponibles, como para descargar y utilizar Aplicaciones existentes que se ofrecen de forma gratuita, como versiĂ³n de evaluaciĂ³n o bien mediante el pago de la correspondiente licencia. Este libro estĂ¡ dirigido a todas las audiencias que de una forma u otra van a trabajar con Aplicaciones para Office y SharePoint: los arquitectos de soluciones pueden encontrar informaciĂ³n relativa a la arquitectura, tipos y posibilidades para crear Aplicaciones; los desarrolladores disponen de informaciĂ³n amplia y ejemplos sobre las APIs disponibles, conceptos de seguridad y permisos, y las reglas de diseño que se tienen que cumplir para crear nueva funcionalidad para Office y SharePoint; finalmente, los administradores de sistemas y usuarios avanzados pueden encontrar informaciĂ³n relativa a las posibilidades existentes para adquirir e instalar Aplicaciones. El libro trata temas de Aplicaciones para Office y SharePoint relacionados con: - El nuevo Modelo de Aplicaciones para Office y SharePoint, Arquitectura y Posibilidades. - Herramientas de desarrollo disponibles para crear nueva funcionalidad para Office y SharePoint. - Tipos de Aplicaciones para Office y para SharePoint. - APIs disponibles para crear Aplicaciones para SharePoint; consideraciones y buenas prĂ¡cticas en torno a seguridad, autorizaciĂ³n y diseño cuando se diseñan y desarrollan Aplicaciones de SharePoint. - Los tres tipos de Aplicaciones para Office (Panel de Tareas, de Contenido y de Correo) y para SharePoint (Hospedadas por SharePoint, Autohospedadas y Hospedadas por el proveedor) en detalle. - Como integrar datos de negocio en Aplicaciones por medio de Manejadores de Eventos Remotos, Flujos de Trabajo, las capacidades de integraciĂ³n propias de la plataforma (BCS) y mediante servicios externos. - ImplementaciĂ³n, tanto en el catĂ¡logo privado como en la Tienda de Microsoft, y licenciamiento de Aplicaciones. - Aspectos avanzados sobre la creaciĂ³n de Aplicaciones (Logging, localizaciĂ³n, productividad en el desarrollo), el futuro del nuevo modelo en cuanto a nuevas herramientas y puntos de mejora, y finalmente el concepto de Aplicaciones HĂ­bridas.

  • Sales Rank: #2004437 in Books
  • Published on: 2013-09-10
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.69" h x .87" w x 7.44" l, 1.67 pounds
  • Binding: Paperback
  • 426 pages

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0 of 0 people found the following review helpful.
Un excelente libro que nos muestra cĂ³mo crear las futuras aplicaciones para Office y SharePoint.
By J. Alarcon
Los cuatro autores han volcado su conocimiento y experiencia real, de forma muy didĂ¡ctica. Sus 420 pĂ¡ginas atesoran un enorme volumen de conocimiento, en un esplĂ©ndido ejercicio de concreciĂ³n y resumen. Dejando en manos del lector, la bĂºsqueda de informaciĂ³n mĂ¡s extendida de cada uno de los temas que señalan el inicio del camino en estas novedades que soportan los Aplicaciones SharePoint y Office.

En esta revista han publicado un review muy completo:
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How to Conduct Surveys: A Step-by-Step Guide, by Arlene G. Fink

Packed with new topics that reflect today’s challenges, the Sixth Edition of the bestselling How to Conduct Surveys guides readers through the process of developing their own rigorous surveys and evaluating the credibility and transparency of surveys created by others. Offering practical, step-by-step advice and written in the same clear and accessible style as author Arlene Fink’s other works, the book focuses on choosing the appropriate type of survey, writing survey questions and responses, formatting the survey, deciding on the characteristics and numbers of respondents to include, choosing how often to survey respondents, and analyzing and reporting the results. 

  • Sales Rank: #189281 in Books
  • Published on: 2016-01-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .40" w x 6.90" l, .0 pounds
  • Binding: Paperback
  • 224 pages

About the Author

Arlene Fink (PhD) is Professor of Medicine and Public Health at the University of California, Los Angeles, and president of the Langley Research Institute. Her main interests include evaluation and survey research and the conduct of research literature reviews as well as the evaluation of their quality. Dr. Fink has conducted scores of evaluation studies in public health, medicine, and education. She is on the faculty of UCLA’s Robert Wood Johnson Clinical Scholars Program and is a scientific and evaluation advisor to UCLA’s Gambling Studies and IMPACT (Improving Access, Counseling & Treatment for Californians with Prostate Cancer) programs. She consults nationally and internationally for agencies such as L’institut de Promotion del la PrĂ©vention Secondaire en Addictologie (IPPSA) in Paris, France, and Peninsula Health in Victoria, Australia. Professor Fink has taught and lectured extensively all over the world and is the author of more than 130 peer-reviewed articles and 15 textbooks.

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