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Craft beer is about innovation, discovery and interpretation. Homebrewing is about all that and more! As the beer scene changes, so do the beer styles we know and love. Grandmaster Beer Judge Gordon Strong takes you on a guided journey of discovery in Modern Homebrew Recipes that include the latest BJCP style changes. Following a primer on specific beer brewing techniques, recipe formulation fundamentals, and how to adapt recipes to your system, Strong shares more than 100 distinctive recipes.

• Sales Rank: #82655 in Books
• Published on: 2015-06-15
• Original language: English
• Number of items: 1
• Dimensions: 8.71" h x .87" w x 6.12" l, .0 pounds
• Binding: Paperback
• 350 pages

About the Author
Gordon Strong is the only three-time winner of the coveted National Homebrew Competition Ninkasi Award. He is president and the highest ranking judge in the Beer Judge Certification Program (BJCP), and principal author of the BJCP Style Guidelines. Strong is a technical editor and commercial calibration panelist for Zymurgy magazine and is a frequent contributor to other brewing and beer publications. Strong is also author of Brewing Better Beer: Master Lessons for Advanced Homebrewers and resides in Beavercreek, Ohio.

Most helpful customer reviews

15 of 17 people found the following review helpful.
A must for all homebrewers.
By Ryan T. Casey
If you are a homebrewer you NEED this book. I was blown away by the sheer amount of information provided. Gordon covers his exact methods for brewing award winning beer and includes a multitude of a tried & true recipes. I am extremely impressed with this book and I have already started planning my first brew sessions based on his recipes.

I am also impressed with the lack of fluff. This book is about making better beer. I have been brewing for over two decades and I rarely find anything new when I read a brewing book these days. This book is the exception. Highly recommended.

7 of 7 people found the following review helpful.
It advanced my techniques
By RICHARD HANSEN
I happen to appreciate Grodon's techniques on how to brew better -his latest book does not fall short. I am in the process of brewing some of his new receipes presented in this book: Christmas Saison, Blonde Classic and later Mailbock, and Oktoberfest in early July. I appreciate his attention to detail, how to read a recipe, how to adjust a recipe for your system. For me, this is a very good book because it helps me advance my techniques in brewing a better beer. Gordon's presentation is clear and concise. It also encouraged me to make better use of the Beersmith2 software, by adding brew notes before I brew, to edit the ingredient line with whole hops and correct the alpha % for all hops used so as to match the IBU's, to append first wort or worldpool steep to the hop lines and to add vorlauf to a malt, or add the Candy surup at flameout. Just detail, that maybe I should have been doing, but now find it as a requirement for me.

2 of 2 people found the following review helpful.
Great book for All-Grain Brewers
By T. Brophy
Just kegged my first recipe out of this book. Been to busy to brew until about a month ago, but over the last several months I've reviewed many of the recipes before deciding on the Scottish Heavy on P.105. I only made two changes by upping the Golden Promise another 8 oz. and adding 8 oz of Honey Malt. I really liked Jamil's Scottish Ale recipe in his Classic Style recipe and wanted to add some Honey Malt and up the Alchohol % a little bit. Anyway just tried a sample from the keg and it is amazing and spot on. Look forward to making again, and also trying the other recipes. I like how he has the recipes structured (like telling you when a certain malt should be added, and also including Water Treatment info in the recipe). Thanks Gordon for another great book.

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[S256.Ebook] Download PDF Ed Emberley's Fingerprint Drawing Book, by Ed Emberley

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Using fingerprints and a few dots, scribbles, and lines, Ed Emberley shows would-be artists how to make all sorts of pictures, inlcuding frogs, trains, flowers, clowns, dragons, and more! This classic book is packed with fun things that kids-and many adults-really want to create. Easy and fun, the book provides hours of art-full fun.

• Sales Rank: #46470 in Books
• Brand: LB Kids
• Published on: 2005-06-22
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .25" w x 8.50" l, .45 pounds
• Binding: Paperback
• 48 pages

Amazon.com Review
With little more than some ink, paper, and your own fingers, you can become an artist! Caldecott recipient Ed Emberley, author of Go Away, Big Green Monster!, as well as many creative art books (Ed Emberley's Great Thumbprint Drawing Book, Ed Emberley's Drawing Book: Make a World, etc.), shows readers how to turn fingerprints into lions, basketball players, reindeer, "bean buddies," submarines, rainbow dragons, trees, even watermelon. Emberley provides straightforward information about materials and techniques on the very first page, then sets readers free to discover and explore. Step by step, Emberley takes artists through the process, showing, for each picture, a fingerprint first, then adding simple lines and other fingerprints to make the print evolve into an entirely new entity. A mouse, for example, starts out as a brown oval fingerprint. Next, two pink fingertip-print ears are added. A black dot makes a nose. Two smaller dots become the eyes, and finally a few lines turn this blob into a bewhiskered mouse head. Young artists can spend hours creating designs, patterns, and decorative scenes with this fun technique, especially if they move on to advanced finger-printing on the last page. (Ages 4 to 8) --Emilie Coulter

From Publishers Weekly
Ed Emberley adds to his popular drawing books series with his paper-over-board Ed Emberley's Fingerprint Drawing Book. An opening spread describes the necessary "ingredients" for using fingertips as paintbrushes (inkpads, poster paints, food coloring, etc.); in the following spreads, Emberley leads by example, adding one element at a time to show how to make a frog, for instance, or a bumblebee in "The Garden" or animals and birds in subsequent spreads. He also offers ideas for seasons, holidays and feelings. ( Apr.)
Copyright 2001 Reed Business Information, Inc.

From School Library Journal
Kindergarten-Grade 3-A step-by-step approach to drawing for beginners and those who are artistically challenged. Each figure introduced can be made with a basic fingerprint or more, and then lines and dots are placed beneath the form to take budding artists to a complete picture. It is so easy to do that even very young children can enjoy a simple art adventure. A brief introduction refers readers to various ink pads, paints, and markers. Emberley also suggests using vegetables or gum-rubber erasers in addition to or instead of fingers. By dipping a finger into an ink pad, a basic form is made from which animals, bean buddies, clowns, and objects can be portrayed. The author then moves readers into general scenarios such as "The Garden" and "The Pond." He includes ways of showing emotions, holiday symbols, and a sketchbook full of supplemental ideas. The section devoted to advanced fingerprinting has slightly more difficult projects without step-by-step instructions. Emberley's books are especially valuable to nonartistic adults who want uncomplicated projects to do with children. This book is similar to Ed Emberley's Great Thumbprint Drawing Book (Little, Brown, 1977), but the addition of color fingerprints makes it visually more appealing.
Ilene Abramson, Los Angeles Public Library
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
easy to use
By ak
Amazon parents' reviews helped me choose this book, and I am glad I chose it. The major advantage is how easy it is to use. There are no words. You view a row of drawings in which you see the train developing; the first drawing has just the first two or three shapes of the train, and each followup drawing adds more shapes. There are no missing steps, and the train turns out looking like it's supposed to. I'm generally terrible at this kind of task and I found it easy. My son (almost 3, and train-crazy) and I sat down together to do this, and it held his interest for a relatively long period of time, I think in part because he understood how I was using the models in the book to make our sketch. The drawbacks are as follows. First, the drawings are relatively elaborate, with lots of tiny shapes to add. Though the task held my son's interest longer than I expected, it didn't hold his interest all the way through (though I have to say, I kept drawing and he kept looking back to see how I was doing, and he absolutely loved the finished product). The second drawback is that the trucks and trains in the book look relatively similar to each other. I have the feeling that I will memorize three or four and that will be the full use of the book. The third drawback is related to the main advantage of the book; this is a step by step recipe, and it isn't clear to me how I would go from copying to sitting down and drawing a train freehand, or to drawing something that is other than exactly what is shown in the book. But in all, I highly recommend this book. My son loves to draw and loves watching people draw, but this wasn't something we could do together because all I know how to draw is a simple house. I've taken art classes before and I just don't have that talent. If I get enough of these books, and can memorize a few trucks, animals, and faces, then this opens up a new activity for us.

0 of 0 people found the following review helpful.
Great Gift for Creative Kids
By L.
I gifted a set of these Ed Emberley drawing guides to my 5 year old cousin (along with a sketchbook and some drawing utensils). He is very fascinated with art and loves the drawing books -- now he wants them all!

I no longer have to scramble to think of what to gift him on holidays, the answer is always another Emberley. At least until I run out of the series or he inevitably grows out of coloring.

I learned to draw all kinds of things when I checked these books out of the library as a kid; so they hold nostalgic value to me. I was very happy to pass it on to my young cousin.

1 of 1 people found the following review helpful.
My childhood favorite is now my childrens' favorite!
By Tavie
Ed Emberley is just fantastic. I had only one or two of his books as a child (30-ish years ago) and once I found out there were more, I bought everyone I could find. My girls really enjoy them (now almost teens). The step by step approach to taking shapes they're familiar with and putting them together to make such cute drawings helps them to branch out into drawings of their own. We leave notes for each other and put something we learned to draw from EE's books on the note - brightens everyone's day!

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Jillian Vriend explores questions of abuse and cultism after being given a harsh ultimatum about either choosing to stay in the spiritual group she was part of or giving up her budding relationship with her now current husband. The love for her husband and the Divine gives her the courage to leave Emotional Body Enlightenment (Ebe) after close to five years of being deeply involved in the inner circle and being a facilitator of the paradigm. Offered mostly through journals and blog entries that Jillian actually wrote during the time, the book covers a six year period of Jillian's experiences with love, healing, intense pain, and self discovery during and after Ebe. It offers a vulnerable and raw perspective that is stripped of much mental analysis and goes to the emotional core of why intense groups and their charismatic leaders are so alluring. This book is for anyone who has experienced such a group, is drawn to joining one, has a friend or relative in one, or is just curious about this sort of experience.

• Sales Rank: #6087116 in Books
• Published on: 2015-06-22
• Released on: 2015-06-22
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .58" w x 6.00" l, .75 pounds
• Binding: Paperback
• 228 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
It is very timely for me and has helped me get a better understanding of EBE
By Noreen S
Thank you for being willing to put your personal experiences, growth and loss together in this book. It is very timely for me and has helped me get a better understanding of EBE, it's strengths and failings. I wish you continued healing and success!

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• Sales Rank: #3606771 in Books
• Brand: Brand: Jai Pr
• Published on: 1976-06
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Hardcover
• 320 pages

Features

• Used Book in Good Condition

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1 of 1 people found the following review helpful.
GREAT BOOK. GOOD EXPLANATIONS AND GOOD CHARTS. A MUST READ FOR COMPARING PAST TO PRESENT
By ROBERT ARMOUR
GREAT BOOK. THE BEAUTY OF THE BOOK IS THAT IT WAS WRITTEN AFTER THE 1987 DROP AND YOU CAN SEE A LOT OF PARRALES TO THE ECONOMIC CHANGES. EXPLAINED WELL AND THE CHARTS ARE GREAT.

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“We promise you’re going to love it.” —Teen Vogue.com on Autumn Falls
 
Autumn’s Wish—book three in the AUTUMN FALLS series by Famous in Love star Bella Thorne—is perfect for fans of Girl Online, Meg Cabot, and any teen or tween looking for a sweet, silly, and fun read with just a touch of magic!
 
Senior year is here, and everyone has a plan—except Autumn Falls. So many crazy-important decisions lie ahead, and she’s scared to make the wrong one. So when she receives a magical locket that enables her to travel through time (!!!), Autumn hopes she can correct all her past mistakes—with her friends, with boys—and maybe even prevent her dad from dying. But the locket doesn’t work that way. Instead, Autumn discovers that she’s only able to visit the future—and she doesn’t like what she sees. Autumn can change her destiny . . . but what does she really want?
 
 
Praise for book 1 in the AUTUMN FALLS series:

“Sweetly adorkable Autumn is the best friend we’ve all been looking for . . . a fun, escapist read.” —Justine
 
“A brilliant debut from Bella Thorne!” —Girls’ Life
 
“You’ll be obsessed with Autumn Falls. It has basically everything you could ever want: a lovable klutz for a main character, a total heartthrob, and just a touch of magic.” —Seventeen.com 
“We personally loved the book. . . . The main character is a fiery, redheaded girl who captures your heart.”—Latina.com

• Sales Rank: #38546 in Books
• Published on: 2016-07-05
• Released on: 2016-07-05
• Original language: English
• Number of items: 1
• Dimensions: 8.56" h x 1.13" w x 5.81" l, 1.25 pounds
• Binding: Hardcover
• 320 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
I really loved this book
By Sara
I really loved this book!

The Autumn Falls trilogy is such a lovely one... I highly recommend it to everyone :) You will enjoy every part of it :)

1 of 1 people found the following review helpful.
Five Stars
By adriana martin
It was a wonderful book. My middle school granddaughter loved it.

1 of 1 people found the following review helpful.
Bella Thorne's New Book Autumns Wish
By Kurt Zellner
Bella Thorne's New Book Autumns Wish Is Truly Amazing Just Like Her Last 2 Books Bella Is A Super Incredibly Talented Writer an Amazing Author Buy All 3 of her Books from the Autumn Falls Series You Will Love Them All and Read Them Over and Over Again

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[B336.Ebook] Free PDF A Guest In My House, by David M Guddy Jr.

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A Guest in my House, this title is about having a guest or ghost-spirit in your house with you. It may take some time to figure this out, as you hear voices from nowhere, or see shadows lurking around with no explanation, maybe there are spirits that didn't cross over or lost. In this book many questions will be answered. What happens the moment we die? Is there a light? Are angels and demons real? Is Lucifer real, can he appear? I collected the stories of spirits in my house and they explain exactly how they died and their personal experience, age, name, and year that they passed on. I also interviewed demons, angels, and yes, Lucifer, all real true stories, that I am sure you would love to read. This is a must read book that you just can't avoid to pick up.

• Sales Rank: #314487 in Books
• Published on: 2015-06-17
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .36" w x 5.98" l, .51 pounds
• Binding: Paperback
• 168 pages

From the Author
I spent over a year writing this book, collecting stories from spirits with a medium. I enjoyed writing about the paranormal and learning along the way what happened after we die. I also learned about other entities and what they do. Angles that are around us and in Heaven and Fallen Angels that are still here on earth. It's a lot of information that is exciting to learn about. I am sure you will enjoy book as much as I did writing it. Thank you.

From the Back Cover
The back cover is a List of all my Guest in my house!

About the Author
My name is David Guddy. I live in Ohio and I lived in a haunted house at the time I wrote this book. I have had many experiences in my house and throughout my life and I wanted to share them with you. I am a Christian and have a strong belief in God, this has helped me in writing this book. I believe we are surrounded by spirits, demons and angels and if we pay attention we can see evidence of them all around us. Hope you enjoy reading about what I have experienced. Thank you.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Fascinating
By Andrea Carter
I couldn't put it down!! I was a little skeptical at first but was drawn in from the first page.

5 of 6 people found the following review helpful.
Interesting Fiction
By Skip Gibson
Author attempts to pass off obvious fictional "haunted" house where he manages to meet with souls of the dead including Michael Jackson, Satan and Greek Gods. Would be better if Author didn't attempt to pass off this interesting book as nonfiction while it is obviously his day dreams.

4 of 5 people found the following review helpful.
This book gives a perspective like none other
By Debra
This book is a must read for anyone who wonders about life after death. These spirits did not choose to go to the light and they give detailed information about their deaths, current state and the reasons they chose to remain earthbound. This book gives a perspective like none other. It answers questions that you never even thought to ask. The author gives the utmost respect to the dead. It is not a book that you will be able to put down easily.

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[N314.Ebook] Fee Download Everything That Rises Must Converge, by Flannery O'Connor

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This collection of nine short stories by Flannery O'Connor was published posthumously in 1965. The flawed characters of each story are fully revealed in apocalyptic moments of conflict and violence that are presented with comic detachment.

The title story is a tragicomedy about social pride, racial bigotry, generational conflict, false liberalism, and filial dependence. The protagonist, Julian Chestny, is hypocritically disdainful of his mother's prejudices, but his smug selfishness is replaced with childish fear when she suffers a fatal stroke after being struck by a black woman she has insulted out of oblivious ignorance rather than malice.

Similarly, "The Comforts of Home" is about an intellectual son with an Oedipus complex. Driven by the voice of his dead father, the son accidentally kills his sentimental mother in an attempt to murder a harlot.

The other stories are "A View of the Woods", "Parker's Back", "The Enduring Chill", "Greenleaf", "The Lame Shall Enter First", "Revelation", and "Judgment Day".

Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.

• Sales Rank: #14078 in Audible
• Published on: 2010-09-24
• Format: Unabridged
• Original language: English
• Running time: 545 minutes

Most helpful customer reviews

106 of 119 people found the following review helpful.
One of the best in the genre
By Brian Carpenter
My copy of _Everything That Rises Must Converge_ has been shouting at me from high up on my bookshelf for several years now. I don't know when I picked up this book; in the dark ages, I suppose, back when I appreciated no book more than the Bible, and most books less than Louis L'Amour's _Sackett's Land_. But my book keeps yelling. "Hey ...!" it says. "I'm getting booklice up here! What are you reading that [book] for ...?"--Don't be too alarmed. All of O'Connor's books shout at readers that way.
Do you want to know something, though? The book has a pretty good reason to shout. Although it's been months since I finally read the collection, it hasn't quieted down. Moreover, I've grown appreciative of its company.
_Everything that Rises..._ was released after O'Connor's death. The hallmark story leads a parade of nine others, a veritable Mardi-Gras of intellectuals, petulants, vindictives, intolerants, and misconceivers, all down a path toward redemption, and thankfully, all with their shirts _on_ (except for that one guy with the tattoo, of course).
"Theology--ugh. Stop saying 'redemption'," some readers holler. Fortunately, O'Connor's theology is well-masked. In fact, I had to read her biography, look at her essays, and dig with a backhoe before I located any theology. But I found it. It was hiding there in plain sight, and once I saw it, I wondered that I had ever missed it. I had trouble locating her theology because O'Connor has a habit of flaying peoples' minds to reveal their darker side. And when you flay somebody's mind, well, to quote Lady Macbeth, "Who would have thought the old man to have had so much blood in him?" Wait now--before you shout "Violence--ugh. Stop saying 'flay'," I need to tell you about her work.
O'Connor uses no words of mystery. That woman was club-thumping blunt. If you prefer stories that wash down pleasantly with watercress sandwiches and Darjeeling, then you'd better find your authors elsewhere. However, if you need something that brands your soul, and if you want the burn to last a long, long time, then read this collection.
O'Connor was passionate about two things in her life (well, three things actually, if you count large domesticated birds, but that's for another review): she loved her religion, and she loved the South. Her writing feels the effects of both. If the South provides the actual meat and potatoes of the story, then her Catholicism provides the salt, without which her stories truly might have been intolerable.

The South is not just a home for O'Connor. The south looms over her writing like a half-ton gorilla. But in a good way. Her region gives her work location, yes, but more importantly a sense of history, and of direction. She was fiercely unrepentant of her Southern heritage, at least in terms of its importance to her craft. Her collection of essays asserts that her Southern characters were grotesque because of their bad manners, yet to her, "bad manners are preferable to no manners at all."
Her work is equally tempered by her fierce Catholicism. In this age, where the church itself is virtually anathema, readers may be surprised that O'Connor attended Mass nearly every day of her life.
O'Connor is unrelenting in her work to provide situations of redemption and grace to broken people, and just in case the reader accidentally misses her point, she makes her characters very ugly and her redemptions--well, the only word to describe an O'Connor redemption is violent. O'Connor's God is not a bubbly, bearded Gnome who dances with pixies at lake's edge. _Her_ God whomps you on the head with a plank, because _someone_ hasn't been paying attention in Life 101. Pow! Redemption!
This concept may be difficult for Protestant readers, because we are often quick to identify grace as a gift from the God of mercy. We do well, therefore, to read this Catholic, who reminds us that grace is doled out by a God who is just. I guess I am telling you this because O'Connor's characters don't fall off cliff because it was determined that way--her characters fall because they are so fallen in the first place. They fall because of the inevitability of the character's nature. Humankind, in O'Connor's opinion, needs the occasional swift kick-in-the-pants to return them to a state of grace before God. Besides, is it not infinitely more pleasurable to watch the Coyote fall into the canyon when his hand-made Acme hang-glider collapses, than to endure the Care-Bears' fight against the bad, evil meanies, with the power of good?
Robert Fitzgerald assembled a 25-page introduction to this work. Despite its length, Fitzgerald's piece is probably the best biographical account on the market, and is certainly a useful look at the work it precedes. However, Fitzgerald, like too many writers of forewords, assumes too much knowledge of O'Connor's works on the part of the reader. He supposes we have heard of Taulkingham, or of Ruby Turpin, or Hazel Motes. We will not encounter these people in the present work, and the extra names and plot summaries only get in the way. Fitzgerald is dead, though, so I guess he won't be changing the introduction any time soon.
O'Connor's works are audacious and skilled. Occasionally, the reader can spot the thorns popping through the seams of some of the stories, due to her untimely death. It is evident to the reader that a few of these stories needed more rubbing and polishing. Yet, one by one, O'Connor's characters, depraved sons-of-guns one and all, limp through their metronome world until they are ultimately redeemed by their God. The intensity of reader's experience does not slacken until the last page.
I think this explains why _Everything that Rises Must Converge_ still shouts at me. And it will shout at you, to remind you that you are fallen, too--"Hey stupid! Put down your pen and read me again!"

33 of 35 people found the following review helpful.
O'Connor's Castigation of Bigots
By S. DEMILLE
What's the difference between a good and bad story? One will cause you to ponder its message long after you read it while the other will do nothing more than fill time. I did my share of pondering after reading each of Flannery's stories in this collection.
The stories, for the most part, take place in the rural South, where we hear the bleating of sheep, the snorting of pigs, and the mooing of cows. There is a narrow, but effective, variety of characters portrayed, from landowner to squatter, from black to white. The stories simmer with a religious flavor, and those who are religious seem to be either haughty and self-righteous or hopelessly naive. The religious bigots think their medicine is best and should be taken by everyone, while they themselves are really the ones "in need of a physician." The intellectuals weave throughout a story or two, and like some of the religious ones, they treat those around them with disdain and downright viciousness. The characters seldom remain unscathed, however. Divine justice usually swoops down and executes revenge upon them, either directly or indirectly. This revenge often tends toward the grotesque, and I often finished a story with my jaw hanging open. Now I can't wait to digest her complete collection.

20 of 22 people found the following review helpful.
"Floundering around in the thoughts of various unsavory characters."
By D. Cloyce Smith
For her first collection of stories ("A Good Man Is Hard to Find"), O'Connor gathered an assortment that had been previously published in magazines; the result was a fascinating, but unsystematic, potpourri of experimentation and originality. As she prepared the stories for "Everything That Rise Must Converge," however, she instead developed each selection under a thematic framework. (Only the last two stories, which were literally rushed to completion as she lay on her deathbed, seem to stand a bit apart.) The collection as a whole, even more than her previous fiction, emphasizes the absurdities and monstrosities of everyday life and the tension between the demands of the self and the mystery of the divine presence.

One of O'Connor's primary mentors for her approach to fiction was, surprisingly, James Joyce (and, specifically, "Dubliners"), and his influence is nowhere more obvious than in this book. In one story ("The Enduring Chill"), she pokes fun at Joyce's worldview in an exchange between an artist and a priest. She was surely alienated by Joyce's un-Catholic sentiments, but she acknowledged his influence in her essay "The Nature and Aim of Fiction": "The major difference between the novel as written in the eighteenth century and the novel as we usually find it today is the disappearance from it of the author. . . . By the time we get to James Joyce, the author is nowhere to be found in the book. The reader is on his own, floundering around in the thoughts of various unsavory characters."

"Unsavory characters" are, without doubt, O'Connor's specialty. Yet, is O'Connor effectively able to remove herself from her narratives? Do the stories in this collection succeed, as she intended, as a thematically linked sequence? And, aside from her stated literary goals, are these stories really that good?

Well, on the first two counts, the results are mixed. In spite of her intentions, O'Connor's presence crowds several of these stories. In "The Lame Shall Enter First" (my own favorite), a vague didacticism is obvious both in O'Connor's not-very-subtle manipulation of events and in the story's portrayals of the juvenile delinquent Rufus Johnson and his mentor Sheppard, a Good Samaritan wannabe. Yet O'Connor steps back just enough to allow the story itself to convey the depth of Sheppard's moral collapse. The less successful "Parker's Back" (one of the deathbed stories) concerns a "trailer trash" husband who, much to his wife's dismay, gets a tattoo of Jesus Christ inked on his back. It's one of O'Connor's more brilliant scenarios, but the psychological sermonizing of the omniscient narrator is a bit heavy-handed. The author is everywhere to be found in this story.

As for the collection's coherence: O'Connor moral vision is certainly more easily discernible in this book than in any of her previous works. But, like the "Lives of the Saints" she so cherished, O'Connor's hagiography of sinners, read back to back, occasionally suffers from a certain formulaic uniformity and predictability. Still, each story, enjoyed at random on its own, has the potential for being your "favorite O'Connor story"-and it's hard to find two readers who will agree on which stories in this collection are best. As a collection, then, it's a bit tame. Individually, however, the stories really are that good.

Throughout her career, O'Connor invented a gallery of memorable reprobates and unlikely prophets. Whether read separately or as a cycle, these nine stories add much to her unique legacy. And the collection will also help clear the air for readers (like me) who had always been enchanted by O'Connor's works of fiction but perplexed by critics who stress their theological and symbolic underpinnings.

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When Hiro's kindhearted brother, Tadashi, vanishes through a portal to save him, the boy genius is devastated. But his big brother left something to help Hiro cope with his loss--a personal health-care robot named Baymax. And when what Hiro needs more than comfort is an explanation of his brother's disappearance, Baymax--with a few upgrades--may be just what the doctor ordered! With new friends and Baymax 2.0 by his side, Hiro is determined to get to the bottom of everything...and he might end up saving the world on his way!

• Sales Rank: #94687 in Books
• Published on: 2015-03-24
• Released on: 2015-03-24
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x .70" w x 5.00" l, .0 pounds
• Binding: Paperback
• 192 pages

About the Author
Haruki Ueno is a Japanese manga creator best known for his series Phi-Brain Puzzle of God, which has received three popular anime adaptations that have been streamed for viewing around the world.

Most helpful customer reviews

14 of 14 people found the following review helpful.
An Interesting Spin on the Movie, and a good start on the new Manga series.
By Warren Sabado
While I have been asked: What do you think of the new BH6 Manga? Well my friends let me tell you it’s a good read. Let me warn you: Spoilers and grab a drink because for good science we are going in. All the characters we know and love are there; I will admit Fred is over the top bit we love him for it and Go-Go is more aggressive per-se. Hiro is the same genius we all know, he’s still the cocky prodigy with witty dialogue. But here is where the manga and the movie depart as they expand more on Hiro and Tadashi’s history as brothers. Tadashi’s relationship is expanded as more of a father figure/older brother as he sees the untapped potential Hiro has. We feel that Tadashi has to be an example to Hiro to look up too, as after the death of their mother and father; which is expanded upon on in the Manga of what took place. Tadashi explains that it was a car accident. He was walking home from school with Hiro when he heard the news from Cass, and on that day he had to grow up and mature to take care of his brother. This weight and responsibility is only magnified as Hiro relies on his brother to always be there. The manga conveys that Cass was pushed into a role of mother-figure immediately while she grieves on her sister’s death, as she was the only next of kin. It’s Up to Tadashi to cheer her up from her stress by making her an alarm clock that pops out a small little flower. But this is where I am going to veer off road to explain how this manga steers off and takes the material into a new direction as Haruki Ueno takes liberties with the story. We start off differently than the movie a few years later. Hiro is in a collage class with Tadashi at SFIT (being one of the youngest to ever attend), where he tinkers away at his latest invention: Mini-Thruster Rockets. The professor tries to challenge the class with a science equation, no one can answer as the students deem it almost impossible to answer. When the Professor sees Hiro he immediately challenges him, only for the professor to get outright humiliated and schooled on how his equation is wrong. Hiro is brash and is anti-social as he lacks in the communication department, lacking the self-confidence to talk to others. Tadashi then explains to Hiro that he needs a focus and tells him to participate in the science exhibition (like the movie, however he is not an underground bot-fighter). We then see Tadashi building Baymax. Tadashi explains that he built Baymax to be a brother figure to Hiro and watch over him, as he then ponders on how he is going to tell Hiro that he is going to transfer from SFIT to a medical college. When the exhibition is done, Hiro wins and he gets offered by Callaghan to join him alongside other prestigious students in robotics and military grade weaponry for the government. Seeing Hiro’s Micro-bots as a game changer in wars. Hiro declines, saying that it would take him away from his family, and most importantly his brother. Here Tadashi scolds him and tells him about him transferring, that he wanted Hiro to accept and do more with his life. Hiro takes this harshly and ignores his brother all day; going into an emotional distraught. Here we see Tadashi explaining that he wanted Hiro to be more independent and, saying that he was finding the right time to tell him and wants to reconsider the offer as Tadashi is called by Callaghan late in the night. This is where the fate of Tadashi is set. Hiro follows him and we see Tadashi conversing with Callahan on the dangers of his invention (the gateway portal device in the movie). However it is seen as unstable and if activated it could create an artificial black hole and Tadashi argues with him. As Callaghan activates it without considering the dangers. Tadashi tries to prevent Callaghan, only to be pulled in. Hiro tires to save his brother as he holds onto is hand when the device is fully active. Tadashi then tells Hiro that he is proud of him; and we get this moment where Hiro tells Tadashi that he wanted to be like him and this we get this flashback of Tadashi promising to their mother that he will take care of Hiro. In a final farewell he lets go in order to save his little brother. Hiro is there left traumatized and Callahan is nowhere to be seen. Here we get one whole page seeing Hiro crying, he is alone now. I will admit this whole scene alone has a lot of emotional gravitas than the movie as we go into a lot more depth of how Hiro is going through this, he does not eat for days, nor go outside; he wants to be alone. Hiro then meets Baymax the adventure begins. Overall the manga becomes a story of revenge, and when we get to the formation of Big Hero 6 Hiro goes to Tadashi’s friends to avenge him. They agree on the condition of Callahan is brought to justice. Then we get this wonderful scene of Fred just enjoying the idea and asks to name the team, he then goes into a monologue where they can give the people an ideal to strive towards. The manga ends with Callaghan’s back-story on his decent to madness, where he was going to activate the device to destroy San Fran as a whole. As he uses the micro bots to level the city we see that he has a sense of enjoyment of seeing the world burn. This is where we see the Big Hero 6 among the ruins stopping him from going any further. Callaghan (Now Yokai) then taunts Hiro that he will follow the same fate as his brother if he gets in the way. The story then ends on a cliffhanger. Haruki Ueno aimed for a more emotional story, and we get it here in a more; somewhat darker tone. I say as a whole I like the direction where it is going. But what do you guys think? Thanks for listening. Am I thinking too deep into this? Mind you this Manga focuses on: Hiro, Tadashi, and Callaghan exclusively. Foreshadowing the others in the second volume and flushing them out. I guess that's my one complaint. We get no explanation of why Callaghan is going insane, but I guess its like the movie and will tell readers about his daughter. Overall a good spin on the movie as a whole.

6 of 6 people found the following review helpful.
New manga series based off the hit movie!
By LovesBooksandCats
The Big Hero 6 manga is based off the hit movie Big Hero 6 and it should be pointed out there are a lot of differences between the movie and the manga.
Without spoiling the storyline for you, the readers, here are some differences:
the manga shows Hiro looking much younger than his fourteen years and is a lot less mature than his movie counterpart. He is very shy and tries to cover that shyness by being a brat.
The storyline for volume one focuses more the relationship between Tadashi and Hiro, showing bits and pieces of their past and has extra chapter as to why Tadashi built Baymax.
Callaghan appears to look much younger and more handsome in this manga than his movie counterpart.
The characters display much more emotion and are shown to have more flaws than they had in the movie.
All in all, volume one of Big Hero 6 is a great start for a great new series for both fans and newcomers alike!

4 of 4 people found the following review helpful.
Brilliant Adaptation
By James Agee
This manga was fantastic! Yes, the plot is different from the movie and there are some small changes alongside very big ones, but overall the integrity of the story is still the same. The characters were very well drawn in a cool manga art style, the story was fast paced yet still has some very emotional moments, and the setting is as brilliant as it was in the movie. I cannot wait for the next manga in this series! Oh, and there is a bonus chapter at the end that gives you additional back-story on the characters. It's a very cool idea to turn this movie into a manga. Just keep in mind that it is not the same exact story as the movie, but this gives the series plenty of room to grow and continue to be a much longer series than a single plot line would allow for.

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